@clicklack
San Miguel · Napa · Cabo · Paris

Tell me about the wedding you see when you close your eyes.

Six questions. Two minutes. No scripts, no templates — just a way for me to know you before we ever speak, so my first note back is about your wedding, and no one else's.

D.LACK 400 — 35mm — 7 exposures
Collections & Payment

Simple, in writing, no surprises

Wedding collections begin at $5,800 USD — the full details arrive in your personal proposal.

Card · Stripe

Secure payment links, any major card, USD or MXN. The same link lives inside your proposal.

Bank transfer

Domestic or international wire. Details arrive with your booking agreement.

Three payments

A retainer reserves your date. The balance splits into two payments before the wedding.

Travel to Los Cabos, San Miguel de Allende & Napa Valley is always included

Field Notes

Three things I believe about photographs

No. 1 — On light

Light is the real venue

The most expensive ballroom in the world photographs worse than a dirt road at golden hour. When couples let me help with the timeline — a ceremony that ends an hour before sunset, portraits in that last warm light — the photographs stop looking like photographs and start looking like memory.

Candlelight, ocean glare, overcast quiet: none of it is a problem. It's the palette. My job is to know what each one gives us, and to put you inside the best of it.

No. 2 — On family

Family photos, done fast and done human

Fifteen years taught me this: the family portrait session should take twenty minutes, not ninety. We make a short list before the wedding, I call names, we work quickly — and because nobody is exhausted, everybody still looks like themselves.

Then I stop directing. The photo your children will love most is your mother laughing between the poses. That one can't be asked for. It can only be caught.

No. 3 — On film

Why film is something else

I still carry film cameras to every wedding. Thirty-six frames per roll means every press of the shutter is a decision — and you can feel that decision in the picture. The grain, the depth of the color, the small imperfections: that's not nostalgia, it's texture that digital still can't fake.

And there's this: a negative is a physical object. Long after formats and phones change, it will still exist, in a drawer, waiting for your grandchildren. That patience is the whole point.